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Tuesday 17th October 2017

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Ac.. Ad.. Ae.. Af.. Ag.. Ah.. Ai.. Al.. Am.. An.. Ap.. Ar.. As.. At.. Au.. Av.. Aw.. Ay..

A toi : love song {p. solo: Elliott : 21/128-1}

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Abegg Op. 1 {p. solo: Schumann-Fauré : 21/334-7[1]}

[Abegg; and Papillons] {p. solo: Schumann : 21/334-7}

L'Abeille {set: violin & piano: Schubert-Wilhelmj : 28/044-3}

Abenddämmerung (The twilight hour) {high v.: Brahms : 17/098-4 : high v. E}

Abendsegen {from Hansel & Gretel} {set: cello & piano: Humperdinck-Goltermann : 33/040(2)}

Abide with me : sacred song {Liddle : Cab/16/050-4 [17] : No. 2 in Db}

Abide with me : sacred song {Liddle : 17/344-1 Boosey : 6 copies : No. 2 in Db b,d) No. 1 in C c) No. 2 in E e,f) No. 3 in Eb}

Abide with me : favorite sacred song {p. voc. + sol-fa: Liddle-Newman : 17/344-1.1 Paxton}

Abscheulicher {from Fidelio} : [sop. recit. & aria] {Beethoven : 17/050-1}

Absent : song {Metcalf : 17/398 : 3 copies : No. 3 in Bb b) No. 2 in G c) No. 4 in Bb}

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Academic festival overture Op. 80 {min. sc.: full orch.: Brahms : 04/007-6}

Ach! Ich habe Sie verloren {from Orpheus} : [for sop. & orch.] {set: sop.: Gluck : 43/003 #p.cond. + sop.,6xV1, 5xV2,4xVa, 3xVc, 3xDb}

48 Lieder ohne Worte {p. solo: Mendelssohn : 21/254-5.4[2] Henry Litolff #lacks pp. 97-98}

18 Nocturnes {p. solo: Field : 21/138-2}

Achtzig Choralvorspiele deutscher Meister des 17. und 18. Jahrhunderts {organ: 40/032- 9}

Acis and Galatea : serenata [for SATB soli & chor.] {Handel-Barnby : 08/027-1 : 3 copies}

Acis and Galatea : serenata [for SATB soli & chor.] {sol-fa only: Handel-McNaught : 44/027-3}

Across the valley : song {Baxter : 17/044}

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Adagio and canzona {set: p. duo: Purcell-Berkowitz : Cab/22/033-3}

Adagio en sol mineur {p. solo: Albinoni-Carol : 21/006.5}

Adagio for strings {organ: Barber-Strickland : 40/055}

Adelaide {Beethoven : 17/050-5 : a) No. 1 in G}

Adieu forêts (Farewell ye mountains) {from Jeanne d'Arc} : sop. recit. & aria {mez.: Tchaikovsky : 17/550-1 : 2 copies : a) mez.(D) b) sop.(F)}

The adjutant : song {Fisher : 17/192-2 : No. 1 in F}

The admiral's broom : song {Bevan : 17/076-2 : 2 copies : a) [G] b) No. 1 in D}

The admiral's yarn : song {Rubens : 17/483-2 : No. 1 in C}

Adolf {p. voc. + sol-fa: Mills : 17/403.5}

Adventures in orchestra : for 2nd F horn {35/030-9}

Advice : song {Carew : 17/113-4 Chappell : No. 1 in Bb}

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Ae' fond kiss {p. voc. + sol-fa: Gatty : Cab/16/050-1[64]}

Ae fond kiss : Scotch song {Gatty : 17/210-1 : No. 4 in Bb}

Ae fond kiss {from Songs of the North} : old Highland melody {Lawson : 17/331- 4}

Ae fond kiss : duet (contr. & bar.) {Diack : Cab/18/047-2}

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Affetuoso (Musical sonnets No. 1) {p. solo: Backhaus : 21/021-1}

Affinité {p. solo: Douste : 21/120.5}

After : song {Elgar : 17/178-8 : No. 1 in F min}

After the ball {p. voc. + sol-fa: Harris : 17/256.7 : 2 copies : a,b) No. 1 in G}

Afterday Op. 50 No. 1 {Scott : 17/501-1 : No. 2 in C}

Afton Water {p. voc. + sol-fa: Hume : Cab/16/050-1[21]}

Afton water {Hamilton : 17/248-1}

Afton water : Scottish song {p. voc. + sol-fa: Hume : 17/293-1}

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Agamemnon (Aeschylus) {ten. & bass: Parry : 01/063-5}

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Ah! lo so ... (Ah! I know) {from The Magic Flute} : [sop. aria: Pamina] {Mozart : 17/418-1 : 2 copies}

Ah! rendimi (Give back my love) {from Mitrane} {Rossi : 17/481.5}

Ah! sweet mystery of life (The dream melody) : song {p. voc. + sol-fa: Herbert : 17/283.2-2 : [No. 2] in C}

Ah! Let me dream : song {Locknane : Cab/16/050-4 [23] : No. 3 in G}

Ah, moon of my delight {from In a Persian Garden} {Lehmann : 17/336-10 : a) No. 1 in F}

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Aïda : opera {Verdi : 06/063-1 (a)}

Aida : compl. arr. for v. & pianof. {Verdi : 06/063-1 (b) (c) Ricordi : 2 copies}

Aida : opera (concert ed.) {Verdi-Sargent : 06/063-2 : 3 copies}

Ailean Doon (Harris love lament) {Kennedy-Fraser : 17/316- 1}

Ain't we got fun? {Whiting : 17/572-1}

Air {p. solo: Louis XIII (King of France) : 21/224.8}

Air {set: cello & piano: Bach-Wilhelmj : 33/005}

Air (Melody) and Soldier's march {from Album for the Young} Op. 68, Nos. 1& 2 {p. solo: Schumann : 21/330-2}

Air (on the 4th string) {set: violin & piano: Bach-Wilhelmj : 28/002-4}

Air and variations in B flat {p. solo: Haydn : 21/170-7}

Air in D minor for organ {Stanley : 40/239}

Air 'O beaux rêves évanouis' {from Etienne Marcel} {set: oboe & piano: Saint-Saens : 36/083-1}

Airs {Rameau-Indy / Chapuis / Dukas : 09/149}

Airs chantés {sop.: Poulenc : 11/019-1}

  1. Air Romantique 2. Air Champêtre 3. Air Grave 4. Air Vif

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Album (12 pieces) Bk 1 Nos. 1-5 {set: cello & piano: Moffat : 33/051(1)}

Album vol. 1 : [6 pieces] {p. solo: Rubinstein : 21/314(1)}

Album vol.1 : [10 pieces] {set: violin & piano: 28/060-1[4]}

Album célèbre vol. 1-3 : [3 x 10 pieces] {set: violin & piano: 28/060-1[1-3]}

Album des Six (Auric, Durey, Honegger, Milhaud, Poulenc, Tailleferre) {p. solo: Cab/20/190}

Album espagnol Op. 21 : Spanish dances for p. duet {Moszkowski : Cab/22/028-3}

Album for the young Op. 68 : [43 pieces] {p. solo: Schumann : 21/332-2 (a)}

Album for the young (Album für die Jugend) Op. 68 : [43 pieces] {p. solo: Schumann : 21/332-2 (b)}

Album for the young Op. 68 : 56 orig. pieces {p. solo: Schumann-Pauer : 21/334-6}

Album klassischer Stücke (Album classique), Bd 1 : [24 songs] {set: violin & piano: 28/060-1.5(1)}

Album leaves Op. 28 {p. solo: Grieg : 21/156-1}

Album leaves (Albumblätter) Op. 124 : [20 pieces] {p. solo: Schumann : 21/334-6[2]}

Album lyrique {Blumenthal : 09/023-1 : 2 copies}

Album of 101 dances : dance tunes for general use {p. solo: 20/122}

Album of six pieces {p. solo: Poulenc : 21/282-1}

Album of 6 pieces {p. solo: Scriabin : 21/340-1}

An album of easy pieces for piano Op. 198 {Zilcher : Cab/21/389}

Album of eight pieces Op. 58 {organ: Harwood : 40/113}

Album of eight songs {Coward : 09/049-1}

An album of four French songs {10/050-8}

Album of Negro spirituals : [26 songs] {10/061-1}

Album of 101 dances : dance tunes for general use {p. solo: 20/122}

Album of popular marches : [10 marches] {p. solo: Sousa : 21/355-2 (a)}

[Album of popular marches] : [14 marches] {p. solo: Sousa : 21/355-2 (b)}

Album of ten popular songs {p. solo: Coates : 20/387}

Albumblätter Op. 28 {p. solo: Grieg : 21/156-1.2}

[Albums of songs vols. 1 & 2] {Grieg : 09/081}

Albums of songs vol. 1 : [23 songs] {Grieg : 09/081[1]}

Albums of songs vol. 2 : [20 songs, incl. 6 from 'Reminiscnces of mountain and fiord'] {Grieg : 09/081[2]}

Alceste (ballet) {set: violin & piano: Gluck-Catherine : 28/065-2(3)}

Alexander Nevsky Op. 78 : for choir (SATB) & orch. {Prokofiev : 08/046}

Alexander's feast : ode [for STB soli & SATB] {Handel-Novello : 08/027-2 : 2 copies}

Alfio's song {from Cavalleria Rusticana} : [for low bar.] {Mascagni : 17/387-1}

Alfio's song {from Cavalleria Rusticana} {bar.: Mascagni : Cab/21/227-2[2]}

Alice blue gown {from Irene} {McCarthy : 17/363}

Alice, where art thou : romance {p. voc. + sol-fa: Ascher : Cab/16/050-5 [10]}

Alice where art thou : romance {p. voc. + sol-fa: Ascher : 17/017-1}

All alone {from The Punch-bowl} : waltz song {Berlin : 17/069-10}

All in a garden fair : song {Watson : Cab/16/050-4 [32] : No. 2 in F}

All in the April evening : part-song for SCTB {Roberton : Cab/18/129-1}

All jazzed up : trombone solos in treble or bass clef w. p. accomp. {set: Ramskill : 35/070 : Treble clef}

All joy be thine : song {Sanderson : 17/488-17 Boosey : a) No. 3 in Bb}

All my life-time : song {Murray : 17/423-6 : No. 2 in F}

All of you {from Silk Stockings} {p. voc. + sol-fa: Porter : 17/455-5}

All people that on Earth do dwell (The Old Hundredth Psalm tune) : [coronation anthem] for choir, cong, orch. & org. {org. + voc. sc.: Vaughan-Williams : 02/128-1 : 2 copies}

Alla Schumann Op. 41/IV/26 {p. solo: Fibich : 21/137[2]}

Allan's ballroom companion : complete repertoire for piano [with sep. violin part] {set: 28/061-3}

Allan's collection of reels and strathspeys, etc. : [106] Highland schottisches, jigs, hornpipes, etc {p. solo: 20/142-1 (a) (b) : 2 copies}

Allan's collection of reels and strathspeys, etc. : new and enlarged edition {p. solo: 20/142-1 (c) : 2 copies}

Allan's collection of reels & strathspeys, etc. : [129] Highland schottisches, jigs, hornpipes, etc {fiddle: 26/010}

Allan's 110 songs of Scotland (without words) {p. solo: 20/142-2}

Allan's Irish fiddler : 120 reels & jigs, hornpipes & set dances {26/011}

Alle meine Walze Teil 1 : grosses Walzer-Potpourri {p. solo: 20/123(1)}

L'Allegra Op. 24 No. 2 {p. solo: Bache : 21/020-1}

Allegretto {from Symphonie no. 3} : [organ solo] {Brahms-Killmaster : 40/067}

Allegretto grazioso {from Songs without Words Bk 5 Op. 62} {p. solo: Mendelssohn : 21/236-4.1(30) Augener}

Allegretto grazioso {organ: Tours : 40/248}

Allegretto in B minor {organ: Lemare : 40/146-3}

Allegro appassionato Op. 43 {set: cello & piano: Saint-Saens : 33/060-1}

Allegro appassionato Op. 4 {p. solo: Scriabin : 21/340(1) [ 4]}

Allegro con brio {from Sonata in C major} {p. solo: Haydn : 21/170-3}

Allegro de concert, Barcarolle, Berceuse, Boléro {p. solo: Chopin : 21/080-1 (a)}

Allegro de concert Op. 18 {p. solo: Scriabin : 21/340(2) [18]}

Allegro de concierto {p. solo: Granados : 21/154-2}

Allegro from Sonatina in G Op. 20 No. 2 {p. solo: Kuhlau : 16/050-2 [11]}

L'Allegro, il pensieroso ed il moderato {Handel-Monk : 08/028-1}

Allegro marziale {trump. & piano: Van de Moortel : 35/096 : a) Bb trumpet}

Allegro spiritoso {set: cello & piano: Senaillé-Salmon : 33/066-3}

Alleluia! : joyous Easter hymn (17th Century) {Oconnor-Morris : 17/433.8 : a) No. 2 in Eb (orig. accomp.)}

Alleluia. I heard a voice : anthem for 5 v. (Rev. 5:12,13) {org. + voc. sc.: Weelkes : Cab/02/134}

Alleluja {from Exsultate, jubilate} {sop.: Mozart : 05/013-2}

Allelujah {from Exultate, jubilate} {Mozart : 17/419-12}

L'Almanach aux images : 8 pièces de piano {Grovlez : 21/160 : 2 copies}

Alone {from A NIght at the opera} {p. voc. + sol-fa: Brown : 17/105-3}

Als die alte Mutter (Songs My Mother Taught me) Op. 55 No. 4 : Lied aus den Zigeuner-Melodien {Dvorak : 17/174-1.1 : low v.: B}

Alte Meister, Bd 1 : Sammlung wertvoller Klavierstücke des 17. und 18. Jahrh. {20/001(1)}

Alte Meister des bel canto, Bd 1 : eine Sammlung von Arien, Kanzonen, Kanzonetten &c [29 songs, mainly sop.] {11/032.5(1)}

Alte Meister des Bel Canto, Bd 2 : eine Sammlung von Arien, Kanzonen, Kanzonetten &c [21 songs, mainly sop.] {11/032.5(2)}

Alte Meister des bel canto, Bd [3] : eine Sammlung von Arien, Kanzonen, Kanzonetten &c [17 songs, mainly sop.] {11/032.5(3) #inc. sep. cello & violin parts}

Ein alter Traum (An old dream) {White : 17/571(2) : No. 1 in G}

Alternative versions of the Chorale preludes Op. 122 nos. 2 and 5-7 {organ: Brahms-Bunjes : 40/067-3}

Always Argyll {McCrone : 17/363.5}

Always in my heart {p. voc. + sol-fa: Lecuona : 17/333.5}

Always with my heart : song {Ray : 17/466-1 : 2 copies : a) No. 1 in C b) No. 2 in Eb (orig.)}

Always young {from Wedding in Paris} {p. voc. + sol-fa: May : 17/390-3}

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Amahl and the night visitors : opera {Menotti : 06/027-1}

Amberley Wild Brooks {p. solo: Ireland : 21/194-2(2) : 2 copies}

The American organ journal, vol. 5 : 37 sacred & secular pieces {45/030-6}

Amoretten Tänze (valse) : cello part only {Gung'l-Winter : Cab/33/079[3]}

Amour! Viens aider ma faiblesse! {from Samson et Dalila} : [for mez. & orch.] {orch. sc.: Saint-Saens : 43/007-1 #no sep. parts}

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An den Frühling Op. 43 No. 6 {p. solo: Grieg : 21/156-2 (a) (b) : 2 copies}

An den Geliebten (To the beloved) {White : 17/571(3) : No. 2 in G min}

An der Quelle (U fontana) Op. 46 no. 1 {p. solo: Arensky : 21/010.8[1]}

[An der Quelle; and Barcarolle] {p. solo: Arensky : 21/010.8}

Anacreon's grave (Anakreons Grab) {Wolf : 17/588-1 : [No. 2 in] G}

Anchored! : song {Watson : Cab/10/045-4[26] : No. 2 in G}

Anchors aweigh : song of the Navy {p. voc. + sol-fa: Zimmermann-Savino : 17/605-1}

The ancient mariner : cantata {Barnett : 01/013 (a) (b) : 2 copies}

The ancient mariner : cantata {Barnett : 01/013 (c) Hutchings & Romer}

An Andalusian maid : song {Philp : Cab/16/050-5 [39] : No. 2 in D}

Andaluza {from 12 Danzas españolas} {p. solo: Granados : 21/154-3}

Andaluza {Danza española no. 5} {p. solo: Granados : 21/154-5(5) Union Musical}

Andante {organ: Lott : 40/151( 1)}

Andante and rondo capriccioso Op. 14 {p. solo: Mendelssohn : 21/236-1 (a)-(e) Walsh, Holmes : 5 copies}

Andante and rondo capriccioso Op. 14 {p. solo: Mendelssohn : 21/236-1 (f) Forsyth Bros.}

Andante and rondo capriccioso Op. 14 {p. solo: Mendelssohn : 21/236-1 (g) Wood}

Andante and rondo capriccioso Op. 14 {p. solo: Mendelssohn : 21/236-1 (h) Wood}

Andante and rondo capriccioso Op. 14 {set: p. duo: Mendelssohn-Rée : Cab/22/026}

Andante and variations in F minor {p. solo: Haydn : 21/170-10}

Andante cantabile : for violin (or treble recorder or flute) & piano {set: Tartini-Ticciati : 28/046.5}

Andante cantabile {set: cello & piano: Dittersdorf-Trowell : 33/023}

Andante e scherzo {set: violin & piano: Roloff : 28/065-3(9) #p. cond. only}

Andante et scherzo capriccioso Op. 16 {set: violin & piano: David-Heim : 28/012.5}

Andante from Trio sonata for organ No. 4 {p. solo: Bach : 21/017-1}

Andante from Violin concerto Op. 64 {set: violin & piano: Mendelssohn : 28/031.8-1}

Andante grazioso {set: violin & piano: Young : Cab/28/059-1}

Andante in F {from the Clavier sonata in D minor} {set: p. duo: Bach-Scott : Cab/22/003-11}

Andante in F : for organ {Wely : 40/180[2]}

Andante in F {p. solo: Beethoven : 21/027-4}

Andante sostenuto in E flat Op. 72 No. 2 {p. solo: Mendelssohn : 16/050-2 [12]}

Andante with variations; and Allegro in B flat (posthumous) {organ: Mendelssohn : 40/167-3}

Andantino {set: violin & piano: Martini-Kreisler : 28/031-8 : 3 copies}

Andantino in B flat & Polacca in F {p. solo: Kuhlau : 21/211-2}

Andantino in D flat {organ: Lemare : 40/146-1 : 2 copies}

Ange adoré : romance {Benedict : Cab/10/045-5[18]}

L'ange gardien {organ: Lott : 40/151(14)}

Angels guard thee {from Jocelyn} : berceuse {Godard : 10/087[ 6] : a) No. 1 in Bb}

Angels guard thee {from Jocelyn} : berceuse, w. violin & cello acc. ad lib. {set: Godard : 17/222.2 : 2 copies : a) No. 4 in Eb b) No. 2 in C #b) lacks violin/cello parts}

Angels guard thee (Berceuse de Jocelyn) : duet (cover: for sop. & bar.) {Godard-Newton : Cab/18/065 (a)}

Angels guard thee (Berceuse) : voc. duet for sop. & bar. (cover) {Godard-Newton : Cab/18/065 (b)}

Les anges pleurent! : rondel {Bemberg : 17/056-1 : No. 1 (ten./sop.)}

Angus Macdonald : song {Roeckel : 17/479-2 : 2 copies : a) No. 1 in C b) No. 2 in D}

Annabelle Lee : song {Leslie : 17/342 : [No. 2] in G (orig.)}

Années de pèlerinage {p. solo: Liszt : 21/218-4}

Années de pèlerinage 'Italie' {p. solo: Liszt : 21/218-4(2)}

Années de pèlerinage 'Suisse' {p. solo: Liszt : 21/218-4(1)}

Années de pèlerinage 'Venezie e Napoli' {p. solo: Liszt : 21/218-4(3)}

Anneliese Rothenberger's favourite sop. arias : [7 pieces] {Lehar : 11/013 : 2 copies}

Annen Polka [Op.117] : p'copy cello part only {Strauss-Winter : Cab/33/070[5]}

Annie Get Your Gun {Berlin : 07/004-1}

Annie Laurie {p. voc. + sol-fa: Scott : Cab/16/050-1[50]}

Annie Laurie : arr. for TTBB {Scott : Cab/18/145 : 4 copies}

Anniversary song (Oh! how we danced) {p. voc. + sol-fa: Chaplin : 17/116.7}

The anthem book of The United Free Church of Scotland {02/201 : 2 copies}

The anthem book of The United Free Church of Scotland {sol-fa only: 44/050-1}

Anthems for choirs, 1 : fifty anthems for mixed voices {org. + voc. sc.: 02/214(1) OUP}

Anthology of sacred song, vol. 4 - Bass : celebrated arias from selected oratorios {14/018 Schirmer}

An anthology of song : [50 compositions] {10/047 : 3 copies #lacks covers}

Anything you can do {from Annie Get Your Gun} {Berlin : 17/069-4 : 2 copies}

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The Apostles Op. 49 : oratorio {SATB choir: Elgar : 08/019-1 : 3 copies}

Apparebit repentina dies : for mixed chor. & brass. instr. (1947) {Hindemith : 02/058}

The apple tree fairy Op. 53 No. 4 : song {Phillips : 17/448-10 : No. 2 in F}

Après un rêve (After a dream) {low v.: Faure : 17/188-1 (b) : contr./bass}

Après un rêve {set: violin & piano: Faure : Cab/28/019.5 #a) score only}

Après un rêve : pour violoncelle (ou violon) et piano {set: Fauré-Casals/Bachmann : 33/029-3}

April {p. solo: Ireland : 21/194-3(1)}

April is a lady Op. 41 No. 4 : song {Phillips : 17/448- 1 : 2 copies : a,b) No. 2 in Eb}

April showers {from The Jolson Story} {p. voc. + sol-fa: Silvers : 17/517 : 2 copies}

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Arabella Op. 79 : lyrische Komödie {Strauss : 06/055-1}

Arabeske Op. 18 {p. solo: Schumann : 21/330-3 Peters}

1ère arabesque {from Deux arabesques} {p. solo: Debussy : 21/110-3(1)}

2ème arabesque {from Deux arabesques} {p. solo: Debussy : 21/110-3(2)}

The Arcadians : fantastic musical play {Monckton / Talbot : 07/023-1 : 3 copies #c) marked up copy (W. Jolly)}

The Arcadians : fantastic musical play {libr.: Monckton / Talbot : 03/089 : 3 copies}

The Arcadians : fantastic musical play {p. solo: Monckton / Talbot-Higgs : 21/248-3}

Arcady is ever young {from The Arcadians} : song {Monckton : 17/408-3 : a) No. 2 in Eb}

Aria Op. 51 {organ: Peeters : 40/189-1}

Aria di chiesa : preghiera {sop./ ten.: Stradella : 17/534 : sop./ten. (Eb)}

Aria (from Concerto in F minor) {set: p. duo: Bach-Horne : Cab/22/003- 1}

Aria from the Birthday cantata {p. solo: Bach-Howe : 20/999[2] : 2 copies}

Arias : 15 songs {Puccini : 13/069}

Arias from operas for soprano vol. 3 : [10 songs] {Mozart : 11/015-1(3)}

Arie da camera : [31 pieces for sop./contr.] {Pergolesi : 11/018}

Arien-Album : Sammlung berühmter Arien fur Mezzo-Sopran [Bd 1] {11/030(1)}

  25 arias

Arien-Album : Sammlung berühmter Arien fur Mezzo-Sopran [Bd 2] {11/030(2)}

  30 arias

Arien und Choräle : für Trompete und Orgel {set: Bach-Kraus : 35/003}

Arietta {p. solo: Foster : 21/143.5}

Arioso {organ: Bach-Alphenaar : 40/051-8}

Arioso {p. solo: Bach : 21/016-9}

Arise, O Sun : song, w. organ accomp. {Day : 17/151 : 5 copies : a) No. 3 in F b) No. 4 in Gb c-e) No. 2 in Eb}

Arise, O Sun : voc. duet {mez. & contr./ bar.: Day : Cab/18/041 : 3 copies : a) No. 5 in Db b,c) No. 6 in Eb}

Arise, ye subterranean winds {from The Tempest} : song {Purcell : 10/089[17]}

Arlequine Op.53 {p. solo: Chaminade : 21/076-8}

L'Arlésienne suite No. 1 {p. solo: Bizet : 21/041}

Armide (Andante et Musette) {set: violin & piano: Gluck-Catherine : 28/065-2(5)}

Arran homing song {Noble : 17/429}

Arrival of the Queen of Sheba {from Solomon} {p. solo: Handel- Müller-Hartmann : 21/166-0 : 2 copies}

Arrival of the Queen of Sheba {from 'Solomon'} {set: p. duo: Handel-Easdale : Cab/22/021-1 (a) OUP}

Arrival of the Queen of Sheba {from 'Solomon'} {p. duet: Handel-Weismann : Cab/22/021-1 (b) Hinrichsen}

Arrival of the Queen of Sheba {from 'Solomon'} {p. duo: Handel-Easdale : Cab/22/021-1 (c) (d) OUP : 2 copies}

Arrival of the Queen of Sheba {from 'Solomon'} : [arr. as p. duet] {Handel-Weismann : 22/026-3[2] Hinrichsen}

The arrow and the song : serenade {Balfe : 17/026-4 : [in A]}

L'art de la fugue {p. solo: Bach : 20/090[2]}

The art of finger dexterity Op. 740 {p. solo: Czerny-Dunhill : 23/017-5 : 2 copies}

The art of phrasing Op. 16 (Progressive studies, Bk 4) : 24 studies through all keys {p. solo: Heller : 21/176-9}

Art thou troubled? {from Rodelinda} {high v.: Handel : 17/250-4 : 3 copies : high in Ab b,c) med. in F}

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As ever I saw {low v.: Warlock : 10/088[ 6] : a) low: Db}

As ever I saw {high v.: Warlock : 17/563-7 : high: Eb}

As I lay in the early sun {med. v.: Gibbs : 17/219-3 : med. v.}

As long as he needs me {from Oliver} {Bart : 17/039-1.3}

As the hart pants (42nd Psalm) Op. 42 : [cantata] {Mendelssohn : 01/058-1 : 2 copies}

As the hart pants (42nd Psalm) Op. 42 : [cantata] {Mendelssohn : 15/041-2[1]}

As the hart pants (42nd Psalm); and Twenty-four four-part songs (SATB) {Mendelssohn : 15/041-2}

As when the dove {from Acis and Galatea} : song for sop. v. {Handel : 17/252- 9 Novello : [Key of C]}

Ascendit Deus (The Lord ascendeth) : motet for 5 v.(TrTrATB) {Philips : 05/015-2}

The ash tree : song {MacCunn : 17/364-4 : No. 1 in F}

Asleep in the deep : bass song {Petrie : 17/447.5 : No. 1 in D}

Assertions {p. solo: Norris : 21/262.2}

Asthore (darling) : song {Trotere : Cab/16/050-5 [40]}

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At a country fair Op. 16 no. 3 {p. solo: Quilter : 21/287-1 #photocopy - for reference only}

At Columbine's grave : song {Shaw : 17/510-6 : 2 copies : all) A min}

At evening {organ: Buck : 40/180[3]}

At love's beginning : duet for sop. & bar. {Lehmann : Cab/18/085 : 3 copies : a,b,c) No. 1 in G}

At the end of the day {Okeefe : 17/437.5 : No. 1 in Eb}

At the foot of the Cross (Stabat Mater) Op. 58 {SATB choir: Dvorak : 08/017-1 : 3 copies}

At the well {high v.: Hageman : 17/241-2 : [No. 1] H. v.}

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Au bord d'une source {p. solo: Liszt : 21/218-6}

Au fond du temple saint {from The Pearl Fishers} : duet (ten. & bar.) {Bizet : Cab/18/023}

Au printemps : valse de salon {p. solo: Thome : 16/050-2 [ 2]}

Au rossignol : harmonie poetique {sop./ ten.: Gounod : 17/224-1 : No. 3: sop./ten.}

Aubade {Lalo : 17/327-2}

Auf dem Wasser zu singen (To be sung on the waters) Op. 72 {high v.: Schubert : 17/496-12 : a) [high v.]}

Auf Flügeln des Gesanges Op. 67 {p. solo: Heller : 21/176-1}

Auf Flügeln des Gesanges [from Mendelssohn] {p. solo: Mendelssohn-Liszt : 21/218-6.5}

Auf Wiederseh'n (We'll meet again) {White : 17/571(1) : No. 2 in Bb}

Aufforderung zum Tanz (Invitation to the Dance) Op. 65 {p. duo: Weber-Weingartner-Rihm : Cab/22/058-2 Boosey & Hawkes : 2 copies}

Aufforderung zum Tanze Op. 65 : rondo {p. solo: Weber-Weingartner : 20/014[ 7]}

The auld fisher {MacCunn : 17/364-1 : 2 copies : b) C min}

The auld hoose : old Scottish air {p. voc. + sol-fa: Cab/16/050-1[61]}

The auld Scotch sangs {p. voc. + sol-fa: Leeson : 17/334 (a) Bayley}

Auld Scotland : song (set to an old Gaelic air) {Lemon : Cab/16/050-3 [15]}

Un' aura amorosa (The breezes that murmur) {from Così Fan Tutte} : [ten. aria: Ferrando] {Mozart : 17/418-2 : No. 1 in G}

Aus banger Brust (O wert thou here) Op. 50 No. 4 : with additional Swedish & Finnish text {high v.: Sibelius : 17/514-1 : high v. (orig.)}

Aus Holberg's Zeit Op. 40 : suite im alten Style {p. solo: Grieg : 20/008[2]}

Ausgewählte Orgelwerke : Praeludien und Fugen, Toccata, Passacaglia, Ciacona, Canzonetta {Buxtehude : 40/071-2(1)}

Ausgewählte Claviercompositionen {Chopin : 21/078-3.2}

Ausgewählte Kompositionen {p. duet: Weber-Horn : 22/058}

  Grande polonaise, Op.21; Rondo brillante, Op.62; Aufforderung zum Tanze, Op.65; Polacca brillante, Op.72

Ausgewählte Lieder, Bd 1 : [51 songs] {high v.: Brahms : 09/025-8.5(1) : 3 copies : a,b) high v. c) low v.}

Ausgewählte Lieder und Gesänge : [27 songs] {Friedlaender : 09/095-2 : high v.}

Ausgewählte Opern-Arien, Bd 2 : [44 songs] {sop.: 11/040-5(2)}

Ausgewählte Orgelwerke Bd 2 {organ: Walther : 40/263(2)}

Auswahl aus . . . Kompositionen {p. solo: Bach : 20/090[3]}

Automne Op. 35 : grande étude de concert {p. solo: Chaminade : 21/076-5 : 2 copies}

Autumn crocus : idylle {p. solo: Mayerl : 21/230}

Autumn days : song {Willeby : 17/575-1 : No. 2 in Eb}

Autumn thoughts Bk 1 : [8] short pieces for the piano {Rebikov : 21/298-1(1)}

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L'Avalanche Op. 45 No. 2 {p. solo: Heller : 21/176-7}

Ave Maria Op. 4 : for chor. of fem. v. w. solos & orch. {Huss : 01/052}

Ave Maria : sacred song, with violin or 'cello & org. accomp. ad lib. {Mascheroni : Cab/10/045-5[ 4] : No. 1 in C #both v. & cello parts incl.}

Ave Maria : song (founded on Intermezzo from Cavalleria Rusticana) {Mascagni : Cab/10/045-5[10] : No. 2 in Eb}

Ave Maria {sop./ ten.: Bach-Gounod : 17/224-3 (a) (b) Schott : 2 copies : a) No. 6: sop./ten.(G) b) No. 8: contr.(D)}

Ave Maria {bar.: Bach-Gounod : 17/224-3 (c) Wood : 3 copies : c) [No. 9] Eb [bar.]}

Ave Maria : for mez., violin or violoncello solo, p. & org. {set: Bach-Gounod : 17/224-3 (d) Schott : d) No. 2: mez. (F)}

Ave Maria : meditation / sacred song {Bach-Gounod : 17/224-3 (e) Ricordi : e) No. 3 in F}

Ave Maria : sop. solo {Cherubini : 17/119}

Ave Maria : sacred song {Head : 17/266-1 : No. 2 in C min}

Ave Maria Op. 80 {Luzzi : 17/360}

Ave Maria {adapt. from Cavalleria Rusticana} {Mascagni : 17/387-2 : 2 copies}

Ave Maria : song {Schubert : 17/496- 2 (a) Wood : [No. 2 in] Ab}

Ave Maria {Schubert : 17/496- 2 (b) Walsh}

Ave Maria {Schubert : 17/496- 2 (c) Cramer}

Ave Maria {p. solo: Schubert-Liszt : 21/218-7}

Ave Maria (Méditation sur le 1er Prélude de J.S. Bach) {p. solo: Gounod : Cab/21/152.2-2 Schott}

Ave Maria (Spirit Eternal) {p. voc. + sol-fa: Gounod : 17/224-4}

Ave Maria op. 52 No. 6 : [for violin (or cello) & piano] {set: Schubert-Palaschko : 28/044-5}

Ave Verum Corpus (Hail, O Hail, True Body) : motet for four v. {Byrd : 05/003-1}

Ave verum KV 618 : [for violin (or cello) & piano] {set: Mozart-Palaschko : 28/033-6}

Avola : one-step {p. solo: Williams : 21/379.5-1}

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Awake, sweet love {SATB choir: Dowland : 05/005}

Awake! : serenade (voc. duet) {sop. & contr./ bar.: Pelissier : Cab/18/117 : No. 1 in F}

Away to Twiver {Warlock : 17/563-8}

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Ayre and Gavot {organ: Arne-Wall : 40/048-1}

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